New York State’s Harlem Art Collection was conceived in 1976 to draw public attention to and celebrate the Harlem art community. The pieces, created by Black and Hispanic artists, were submitted for consideration to, and subsequently selected by, the Harlem State Office Building Committee on Arts and Culture. The committee was created and organized in 1975 by then Senator H. Carl McCall with representation from state and city governments and the Harlem business community.
The resulting collection is comprised of more than 100 works of art, including painting, sculpture, photography, prints, and mixed-media, by 65 artists. Several of these artists are now considered major contributors to the history of American art, and to one of the most important art movements of the 20th century.
The works in the collection cover a span of over 100 years and include works by artists from the Harlem Renaissance up to the mid-1970s. The collection is graced by distinguished artists like Jacob Lawrence, Hale Woodruff, Norman Lewis, Elizabeth Catlett, Palmer Hayden, Howardena Pindell, David Hammons, and more.
The use of the Harlem Art Collection, in art institutions across the nation and by scholars and art historians, is testimony of its potential as a resource that enriches the lives of individuals in New York and beyond.
Artist | Title | Year | Medium |
---|---|---|---|
Benny Andrews | War Study #5 | 1974 | oil on canvas, collage |
Luis Cruz Azaceta | The Jungle (La Jungla) | 1975 | oil on canvas |
Anthony Barboza | Senegal (aka Fadiouth Senegal) | 1972 | silver gelatin |
Anthony Barboza | Norman Lewis, Painter | 1977 | silver gelatin |
Tony Bechara | Xanadu | 1976 | painting/acrylic on fabric (cotton dusk) |
Dawoud Bey | In the Streets Our Future Becoming | 1953 | silver gelatin |
Charles Bible | Funny | n.d. | oil on panel |
David Boxer | Very Tormented | 1974 | mixed media collage triptych |
Kay Brown | Sister Alone in Rented Room | 1972 | etching on paper |
Vivian Browne | Littlemen #2 | n.d. | oil on canvas |
Viola Burley | The Masquerade | 1975 | lithograph on paper |
Roger Cabán | Untitled II | 1975 | silver gelatin |
Bernard Cameron | Untitled #4 | 1976 | graphite on paper |
Robert Carter | Made in the U.S.A | n.d. | mixed media on pressed wood board |
Elizabeth Catlett | Woman Figure | 1976 | wood |
Barbara Chase-Riboud | Black Dream Column | 1976 | painted steel |
Barbara Chase-Riboud | Untitled | 1973 | charcoal, charcoal pencil, and ink with engraving and aquatint on heavy weight, wove, Canson paper |
Ed Clark | Untitled | 1975 | oil on canvas |
Leroy Clarke | I Accuse | 1972 | oil on canvas |
Cornelia Cole | Three Mouthed Vase | 1975 | glazed clay stoneware |
Orlando Condeso | So Much Dragging Our Shadows | 1971 | etching on paper |
David Cottes | The Ride | 1970 | oil on canvas |
James Count | Black Female '76 | 1976 | cast plaster |
Adger Cowans | Harlem 1958 | 1958 | silver gelatin on paper |
Adger Cowans | Nude #22 | n.d. | silver gelatin on paper |
Ernest Crichlow | Waiters | 1969-1970 | silver gelatin on paper |
Roy DeCarava | 7th Avenue Express | 1952-1953 | silver gelatin on paper |
Joseph Delaney | Brooklyn Dodgers Victory Parade | 1955-1956 | oil on canvas |
James Denmark | Head of a Young Black Woman | 1969 | welded bronze |
Ralph Downs | Untitled | 1976 | pastel/tempera on panel |
Louis Draper | Harlem Approximately 1962 | 1962 | silver gelatin on paper |
Minnie Evans | Untitled | 1952 | multiple colors of a wax-based media, gold paint, and black felt-tip pen over graphite on medium weight, wove paper |
Minnie Evans | Untitled 22 | 1952 | multiple colors of a wax-based media, gold paint, and black felt-tip pen over graphite on medium weight, wove paper |
Frederick John Eversley | Reflections of Soul | n.d. | plexiglass and wood |
Elton Fax | Market Place #1 Accra | 1963 | crayon and ink on paper |
Sita Gomez | Wrestlers | 1966 | mixed media |
David Hammons | Dreadlock Series | 1976 | mixed media, hair, and wire |
David Hammons | Untitled #17 | 1976 | monotype (body print)on heavyweight, black, wove paper |
Inge Hardison | Sojourner Truth | 1968 | cast alvastone |
Bill Harris | Special Delivery Messenger | 1975 | watercolor, crayon, pencil on paper |
Joe Harris | Altar for Clifford Glover | 1976 | xerogram on paper |
Palmer Hayden | Home Sweet Home | 1930 | watercolor |
Palmer Hayden | The Subway | 1941 | oil on canvas |
Barkley Hendricks | Lamont on the Case | 1976 | oil on canvas |
James Huff | Reflections | 1975 | graphite on paper |
Richard Hunt | Untitled Spring of '76 | 1976 | lithograph on paper |
Harlan Jackson | African Series Phoenix | n.d. | acrylic on canvas |
Suzanne Jackson | Grand Canyon | 1976 | mixed media |
Catti James | Joy | 1976 | mixed media |
Noah Jemisin | Acapulco Gold | 1976 | watercolor on paper |
Benjamin Jones | Funky Elegance 1/24 | 1975 | silkscreen on paper |
Bill Kelly | A. Philip Randolph | 1972 | color photograph on paper |
Bill Kelly | Dr. John L. S. Holloman | 1972 | color photograph on paper |
Winston Kennedy | Untitled | 1974 | etching on paper |
Jacob Lawrence | The Masquerade | 1954 | tempera on panel |
Hughie Lee-Smith | Boy Reading | n.d. | oil on canvas |
Norman Lewis | Seascape | 1973 | oil and pastel on paper |
Fern Logan | Transition | 1974-1975 | silver gelatin |
Adal Maldonado | A Self-Defeating Gesture | 1976 | silver gelatin |
Jimmie Mannas | Untitled 2E (or No Way Out, NYC) | 1963 | silver gelatin |
Richard Mayhew | Moody Space Blues | n.d. | etching on paper |
Valerie Maynard | Ascension | n.d. | wood |
Dindga McCannon | American Queen | 1976 | acrylic and fabric on canvas |
Nii Ahene Mettle-Nuno | Aura and Oracles in the Spirit World | 1976 | mixed media on rice paper |
Algernon Miller | Untitled | n.d. | stainless steel |
Leita Mitchell | Street Livin' | n.d. | collage on paper board |
Otto Neals | Woman in the Wind | 1975 | collagraph on paper |
Jemisi Obanjoko | Stand By Me or Day-Light | 1976 | acrylic on canvas |
Ademola Olugebefola | The Blue-Eyed Pied Piper | 1965 | oil on canvas |
James Phillips | Unknown | n.d. | acrylic on linen |
Howardena Pindell | Untitled 1 | 1975 | paper, thread, ink on board |
Ted Pontiflet | James Baldwin with Harlem Background | n.d. | color photograph |
Abdul Rahman | We Were Prepared | 1976 | oil on canvas |
George Robinson | Jessica Brown and Playmate | n.d. | silver gelatin |
Jorge Luis Rodriguez | Untitled | 1976 | charcoal on paper |
Jorge Luis Rodriguez | Vespers | 1975 | watercolor on paper |
Pablo Romero | Pampero | 1976 | mixed media |
Charles Searles | Two Dancing Figures | 1977 | oil on paper |
James Sepyo | Forward | 1969 | acrylic on canvas |
Ed Sherman | What's in the Bag? | 1968 | silver gelatin |
Coreen Simpson | Cooking is My Game | 1974 | silver gelatin |
George Smith | Kern's Section | n.d. | steel |
Vincent Smith | The Movers and The Shakers | 1968 | oil on canvas |
May Stevens | Big Daddy Paper Doll | 1971 | silkscreen on paper |
John Stevenson | Charles Coofer II | n.d. | fabric collage with charcoal and colored pastels on card |
John Stevenson | Man in Gray Sweatshirt | n.d. | fabric collage with charcoal and colored pastels on card |
John Stevenson | Pugilists | 1986 | compound string, charcoal, tempera and silhouetted paper figures |
John Stevenson | Two Boxers | 1968-1970 | charcoal, pastel, metallic pigment on silhouetted paper over collage of fabric and painted paper, in shadow-box frame |
John Stevenson | Untitled | n.d. | pastel and chalk on paper mounted on paper |
John Stevenson | Untitled (Corey, Alice and Ace) | n.d. | collage of fabric, pencil, pastel and crayon on two framed sheets in shadow box |
John Stevenson | Untitled: a pair | n.d. | Painted plinths with a painted column with articulated black figures and sofa with a painted compound string and detached figure along with two model signs, one attached watermelon |
Sharon Sutton | First Hilltown Series I | 1974 | silkscreen on paper |
Sharon Sutton | First Hilltown Series II | 1974 | silkscreen on paper |
Sharon Sutton | Islands of Friday | 1976 | collage on paper |
Russ Thompson | Selma Accumulation | 1975 | photo lithograph |
Jose Urbach | Reconstruction #2 | n.d. | paper and plastic film collage with offset printing |
James Van Der Zee | Atlantic City, 1930 | 1930 | silver gelatin |
James Van Der Zee | Daddy Grace, Harlem, 1938 | 1938 | silver gelatin |
James Van Der Zee | Swimming Team, Harlem, 1925 | 1925 | silver gelatin |
James Van Der Zee |
Marcus Garvey & the Garvey Militia – Harlem 1924 |
1924 | silver gelatin |
James Van Der Zee | Black Jews, 1929 | 1929 | silver gelatin |
James Van Der Zee | Mrs. Turner Lenox, Mass. | 1905 | silver gelatin |
James Van Der Zee | The Van Der Zee Men, Lenox, Mass., 1908 | 1908 | silver gelatin |
James Van Der Zee | Miss Suzie Porter | 1915 | silver gelatin |
James Van Der Zee | Wedding Day, Harlem, 1926 | 1925 | silver gelatin |
James Van Der Zee | Whittier Preparatory School, Phoebus, Virginia, 1907 | 1907 | silver gelatin |
Shawn Walker | NYC #8 | 1965-1966 | silver gelatin |
Pheoris West | Cornerin' | 1976 | acrylic on canvas |
Grace Williams | African War Shield | n.d. | acrylic on canvas |
Randy Williams | Untitled Music Series 2/3 | 1976 | acrylic on canvas |
Randy Williams | Untitled A-22 | 1967 | mixed media |
Hale Woodruff | Celestial Gate | 1969 | oil on canvas |
Rodner Wright | The Family | n.d. | torched cut/welded steel |